The Divining Wand

Today’s post is the continuation of how authors responded to a recent question posted on The Divining Wand’s Q & A page:

Here’s another question for your authors: What is the word count of most of their novels?

I know that we here all sorts of estimates of what a novel should be, 70,000 to 100,000 words. But what is the actual count for the novels featured here, and do your authors think about word count as they’re writing?

Also please welcome The Divining Wand’s latest about-to-become author, Allie Larkin, who leads off with:

Allie Larkin (STAY coming June 10, 2010):

“The final version of STAY is around 100,000 words. The first draft was just short of 70,000, and then grew through the revising process, as the story became more layered and I developed the characters further. I don’t think word count should be a concern in the first few drafts of a book. Those drafts are about creating the framework of the story and getting to know the characters. Obviously, there are ideal lengths for books, but I think reaching an ideal word count should be more of an organic process than a goal to meet. You never want to add words just for the sake of adding them. So, even if it’s necessary to add 10-20,000 words to make the book a marketable length, I think the focus should be more about figuring out a way to grow the story and grow the characters, than trying to hit a certain number.”

Melanie Benjamin (Alice I Have Been):

“This is a good question. Before ALICE, I always aimed at 80,000; my earlier contract, for my 2 contemporary novels, stipulated that should be the approximate word count. When I moved to historical fiction, however, I found that there’s more leeway, and ALICE came in at around 100,000 words, and nobody blinked an eye. That’s the word count I have in mind for my next historical novel, too.

“However – word of advice. Let the story develop as it needs to and try not to obsess about the word count until it’s finished. Revisions always change things. If you finish and you find you’re way under the typical word count (which is, yes, anywhere from 70,000 to 100,000, depending on the genre as I said above), then you may have to decide whether or not the work would be better off as a short story. If you’re way over, you can edit and perhaps divide the work into 2 novels. So – try not to obsess while telling the story, but at the end of the day, word count does matter.”

Judy Merrill Larsen (All the Numbers):

“Ooh, I definitely think about word count as I’m writing . . . my novels tend to be in the 75,000 word range, which is a bit on the short side. And I NEVER get to that in my first draft. My goal in a first draft is to get to 65,000 words because I know that in revising (which to me means mostly adding and rearranging), I’ll get in that magical realm of 70,000-80,000 words.”

Holly LeCraw (The Swimming Pool):

“Mine is about 80,000 words. I didn’t think about word count as I was writing, but assumed I would come in at 300ish pages. As it turned out, mine is 307. I tend to like books that are tightly constructed and not overlong, although there are always exceptions.”

Lauren Baratz-Logsted (most recent Crazy Beautiful YA, Sisters 8 series with Book 5: Marcia’s Madness coming May 3, 2010):

“Since I write for pretty much every age group imaginable, I’m all over the place on this. Each volume in The Sisters 8 series for young readers comes in at about 22K. My one middle grade was 35K. My adult novels range from 70-100K. Even within YA, I’m all over the place, with most coming in at 45-50K while The Twin’s Daughter (due out on Aug 31) is a whopping 96K! It all depends on what the individual book demands, how long it takes to tell the story right.”

Shana Mahaffey (Sounds Like Crazy):

“Sounds Like Crazy weighs in at just over 105,000 words. I wrote without regard to word count and was lucky enough to have my book published under an imprint that believes a book should be as long as it needs to be to tell the story.”

Maud Carol Markson (When We Get Home, Looking After Pigeon):

“I don’t have the exact number but I believe Looking After Pigeon was just around 80,000 words. The novel I’m working on now is about 85,000 words.”

Sarah Pekkanen (The Opposite of Me):

“The Opposite of Me is 105,000 words (give or take a few). My second novel is about 90,000 words. I do think a little about word count as I write, knowing it would be much harder to sell a book that came in at 60,000 or 200,000 words.”

Kristina Riggle (Real Life & Liars and The Life You’ve Imagined coming August 17, 2010):

“I had to look this information up. REAL LIFE & LIARS was 85,498 in the pre-copyedited version, and THE LIFE YOU’VE IMAGINED is a little longer at 91,171. My work-in-progress will end up about the same. Since I measure my daily progress in first drafts by word count I suppose I do think about it as I write, but only as a handy way to measure productivity. I do feel very pleased when I hit the big round numbers divisible by 10,000. It’s arbitrary, but it does feel like a milestone and since writing a first draft is so solitary it’s nice to congratulate myself on leaping those hurdles. No one else is going to throw me a party.”

Allison Winn Scotch (The Department of Lost and Found, Time of My Life and The One That I Want coming June 1, 2010):

“All of mine hover around the 85k mark. I do think about WC as I’m writing – I think about the book in a series of acts, and I know when to begin each one (generally), so I can time the action – and the necessary arc of that action – to the word count.”

Barrie Summy (I So Don’t Do Mysteries, I So Don’t Do Spooky and I So Don’t Do Makeup coming May 11, 2010, Ages 9 – 12):

“My novels (tween mysteries) are 52,000 to 55,000 words. Do I think about word count while I’m writing?

“Yes. Yes. Yes.

“I’m a HUGE plotter, and I know where I should be word-count wise for the major plot points, darkest moment, the resolution. This is how I keep the pace up.

“And also how I keep my sanity. I promise myself treats all the way through the first draft. For example, when I reach the first plot point, around 13,000 words, I get to have a package of licorice as a reward.”

Wendy Tokunaga (Midori By Moonlight, Love in Translation):

“I believe that my word counts come out to be around 85,000. I never think about this when I’m writing, though. I just write as much as I need to tell the story and it always seems to work out okay in the end.”

Therese Walsh (The Last Will of Moira Leahy):

“My publisher, Shaye Areheart, likes books to come in right at about 90,000 words, which is the word count for The Last Will of Moira Leahy.

“I keep tabs of word count using Word, but I don’t stress about it much while drafting a story. I tend to trust that the word count will fall near the right mark in the end. Word count definitely becomes more important during editing, though. I find it easier to edit a “fat” story down to size rather than add new beef.”

And a final word on just the facts….

Randy Susan Meyers (The Murderer’s Daughters):

“According to fictionfactor.com, ‘”Most print publishers prefer a minimum word count of around 70,000 words for a first novel, and some even hesitate for any work shorter than 80,000. Yet any piece of fiction climbing over the 110,000 word mark also tends to give editors some pause. They need to be sure they can produce a product that won’t over-extend their budget, but still be enticing enough to readers to be saleable. Imagine paying good money for a book less than a quarter-inch thick?”‘

“That said, there is much back and forth on this issue. I think the topic is very well covered by agent Colleen Lindsay in her blog, the swivet.”

If you have a question for our authors feel free to post it on the Q & A page or email: diviningwand@gmail.com

ATTENTION: This site’s rather exclusive sidebar has a new addition under the category of Must See. ArounderTouch is an iPhone app from Arounder.com. The virtual reality site — featuring gorgeous 360-degree panoramas of the world — is what I frequently used on Seize A Daisy’s “Friday Getaways.” It’s a first-class ticket for your travel plans or imaginary flights of fancy, please check it out.

Announcement: The winners of Quick’s debut YA novel, SORTA LIKE A ROCK STAR, are Keetha and Beth. Congratulations! Please send your mailing addresses to: diviningwand (at) gmail (dot) com, and I’ll have your copy sent out promptly. Many thanks to everyone who entered.

This rare Monday, without a book to present/review, is a perfect time to catch up on our authors and their recent (or upcoming) releases.

Congratulations to Therese Walsh (The Last Will of Moira Leahy)

Although this debut novel crossed over many genres, The Last Will of Moira Leahy has become a RITA finalist in RWA’s Best First Book category, 2010. While yours truly described it as an “adult fairy tale,” if Romance Writers wish to embrace “Moira” as romantic, so much the better. And, if you have yet to read this novel, please treat yourself now!

Sarah Pekkanen (The Opposite of Me) was featured on April 7, 2010 in the USA TODAY’S New Voices: Sarah Pekkanen, ‘The Opposite of Me’ by Carol Manning.

And now Sarah is thrilled to announce she has a new, two-book deal with editor Greer Hendricks at Atria Books/Washington Square Press, an imprint of Simon&Schuster.

Her second book — with the current working title FROM THE HEART — is the story of 32-year-old Julia Dunhill, who wakes up one morning to discover her husband has changed into a completely different person because of an extraordinary experience. Julia, who also sees pieces of her life in the world’s great operas, has three weeks to decide if she should stay with her husband – or leave him. Publication dates are Spring 2011 for the second novel and Spring 2012 for the third.

Holly LeCraw (The Swimming Pool) and her debut novel are everywhere, including these sightings:

The Swimming Pool in PEOPLE.

Entertainment Weekly: The Swimming Pool is “difficult to put down.”

“A stunning debut!” The Swimming Pool is This Week’s Hot Reads at The Daily Beast.

And The Swimming Pool is featured in Marie Claire and Elle Canada – on newsstands now!

Alicia Bessette (Simply from Scratch coming August 5, 2010)

Alicia’s new Facebook Fan Page is up and running. She hopes you’ll become a fan! Alicia also cordially invites you to sign up for her email newsletter here to receive news related to Simply From Scratch.

Amy MacKinnon (Tethered) offers the following glowing endorsement for Alicia’s debut novel: “Readers will fall for the characters of this New England town who try to rescue the worn-through heart of one of their own. Told with equal parts warmth, hope, and humor, SIMPLY FROM SCRATCH is destined to be passed among friends who’ve shared in each other’s grief, and honored it with love and compassion. It’s a triumph of the heart.”

Allison Winn Scotch (The Department of Lost and Found, Time of My Life and The One That I Want coming June 1, 2010) is thrilled that The One That I Want has been chosen
by both Redbook and Cosmo as a summer read and will be in the July issues.

And then there are the literary reviews:

“[A]n aching, honest look into the death and rebirth of relationships….a wise, absorbing narrative.”-Publishers Weekly

“Scotch specializes in heroines at a crossroads, questioning their life choices and preparing to embark on journeys of self-discovery. . . . [She] creates eminently relatable characters, with a particularly excellent understanding of the way sisters interact, and has the ability to craft scenes of real emotional weight.” -Booklist

“Well-told, fast-paced, and packs a satisfying emotional punch.” -Library Journal

Before embarking on her book tour, Kristy Kiernan (Catching Genius, Matters of Faith and Between Friends) posted this Comment on Facebook:

“Just got this from a reader who finished BETWEEN FRIENDS: ‘”I am not proud to say this, but I am not currently an organ donor. I plan to change that after reading this story.”‘ Uhh, does it GET better that that?!”

Ah, the power of words…

In the past weeks — and those yet to come — The Divining Wand’s posts have been filled with success. New/debut book releases are fulfilled dreams for authors and rewarding enjoyment for readers yet, remember, “getting published” doesn’t just happen.

The January 25, 2010 post, Our Authors’ Journeys, told how long it took before Kristy Kiernan, Lauren Baratz-Logsted, Kristina Riggle, and Emily Winslow were published? And how they handled rejection, what kept them going as they kept writing? Today’s post features four more authors with their personal tales. All are debut authors (though Trish Ryan’s memoir sequel will be published at the end of June) and please welcome the site’s most recent author, Robin Antalek, in the lead-off spot.

Robin Antalek (The Summer We Fell Apart):

“I’ve been doing this forever—literally – all of my adult life and I am 48! I began to publish fiction here and there in my twenties in small journals. For money I wrote press releases, grants, radio scripts, a column on Healthy Kids for a food co-op – basically anything that wasn’t fiction! It wasn’t until I submitted a story on a lark to the Writer’s Institute at the State University of New York at Albany – where a guest author was running an invitation only fiction workshop— that I seriously considered fiction. When I got into the workshop, he changed my entire way of thinking and I went on to win a few contests. That I was a finalist in a few “good” contests gave me enough nerve to tackle a novel that promptly went in a drawer. As did the follow-up novel. Novel three I felt was good enough to go out and started to query agents. I did everything they tell you to do about queries – matched my novel with their lists – read the acknowledgement pages of novels I admired that were similar in vein to my own for leads and I perfected a one page query letter that neatly summarized my manuscript. I had a half dozen agents request full to partials all to no avail. So then I decided I would send to the few remaining houses that accepted slush pile manuscripts. Months (and I do mean months) later I get a phone call just as I am walking in the house from picking my daughters up at elementary school – it’s an editor who wants to buy my book but she thinks I need an agent to help with negotiations. She offers to send it to a friend of hers who has just left a prestigious agency to strike out on her own. Her friend, the agent, calls me the next afternoon to tell me she stayed up all night reading and loved it. It was like talking to an old friend. She offered me representation and as it goes in publishing, that book did NOT end up selling to the original house. Or any other. After extensive edits my agent and I mutually agreed to pull the manuscript out of circulation. She told me to go back, take my time, and write what I really felt. A year and a half later The Summer We Fell Apart was the result and it sold to Jeanette Perez at HarperCollins.

“Why did I keep going all those years? Because I had so many stories to tell. Because of all the “jobs” I’ve ever had in my life—it was the one job where I could forget who I was and where I was and the possibilities seemed endless. I’ve tried to quit in dark moments of self-doubt – but I was more miserable not writing. Oddly enough, the magic moment, for me anyway, was when I made peace with the fact that I might be writing stories only for myself – the rest – as they say—is history.”

Holly LeCraw (The Swimming Pool):

“I was writing for years before I was published. I began with stories and had a couple published, but then turned to novels; I am not good at working on multiple projects at a time, much less multiple genres. I also realized, as soon as I began writing a novel, that I needed the longer form.

“To be completely concrete: I began writing seriously when I was 22. Took several detours into publishing and grad school; had three kids; now I am 43. I kept going because I am very very stubborn, and I knew I would be worse off if I stopped trying.

“But I would like to note that I didn’t try to get published until I thought I had something publishable. The struggle wasn’t to get published. The struggle was to get good enough.”

Trish Ryan (He Loves Me, He Loves Me Not: A Memoir of Finding Faith, Love, and Happily Ever After, A Maze of Grace: A Memoir of Second Chances coming June 22, 2010):

“I’m not sure exactly how long it all took, as I’m not sure where to begin counting. Confession: long before I wrote He Loves Me, He Loves Me Not, I wrote a truly awful self-helpish book, and looked for representation. I wasn’t paying attention to the rules (non-fiction sells on proposal, not finished product) and thought that my book was so unique & wonderful that I didn’t have to. Silly girl. Not surprisingly, that book never got off the ground. I filed it away forever (and am thankful now it was never published!).

“A couple of years later, when I was pulling together my query for what became He Loves Me, He Loves Me Not, I was much more careful to think about the agent/author relationship, and consider what might be a good fit, and how to approach agents in a professional way. It was almost exactly two years from my agent took me on and when my memoir hit shelves.

“Are there tips for handling rejection? It hurts. I think you get through it by finding that fine line between confidence in your writing and being open to recognize and recalibrate when you’ve made a mistake.”

Therese Walsh (The Last Will of Moira Leahy):

“The first version of my book, The Last Will of Moira Leahy, was rejected, so I completely rewrote it. Total elapsed time = 6 years. (This included time spent revising, polishing, trying to find an agent, pouting—that sort of thing.)

“I had to do a lot of soul-searching after the first round of rejections. I also had some positive rejections to keep me going, but mostly I believed at a deep level that the story needed to be told; that’s what kept me going.”

Announcement: The winner of Holly LeCraw’s debut novel, The Swimming Pool, is Sarah. Congratulations! Please send your mailing addresses to: diviningwand (at) gmail (dot) com, and I’ll have the book sent out promptly. Many thanks to everyone who entered.

Two months ago, several of our authors/friends shared words of wisdom that help guide them through the writing process. And, in today’s post, many more answer:

What is the best advice about writing that you’ve received/read AND put to use?

Katie Alender (Bad Girls Don’t Die YA):

“It’s so hard to narrow it down to the individual pieces of advice, because I’ve absorbed all of them into the “stew” of my writing process. “Just do it” is a big one. Also, letting a first draft be just paint thrown at a wall, basically.

“A fantastic writer I worked with once taught greatly by example. He was the boss, and he’d written a script and asked for notes on it. I went through carefully, picking a few things apart and giving general and page notes. As we went through, he would contest my notes and ask about my justification. When we came to a point he didn’t agree with, he said, “I don’t agree with you, but I can tell you’ve invested yourself in this, so I’m going to think harder about that idea.” It taught me that people who are involved in your creative process, like your editor, and your agent, deserve a level of respect and input when they put in the hours. Writing a book, like so many other things, is often the result of collaboration. And I welcome and embrace that. In fact, it’s one of my favorite parts of the process. It’s tremendously flattering that people would devote themselves to making my book better, and highly interesting to read their perspectives on the material. Also, once you establish yourself as a person who’s open to collaboration, the times when you do dig in your heels mean more.”

Meredith Cole (Posed for Murder, Dead in the Water coming May 11, 2010):

“I write in bits here and there since I also work and have a family. The best advice I got was from a screenwriting teacher who told me that when I’m not writing, but sitting at a traffic light or dropping off to sleep, I need to think about my book. I run it through my head like a movie and find the weak points. I imagine different scenarios and subplots. And so when it’s time for me to sit at the computer again, my story feels fresh and I’m raring to go.”

Ad Hudler (Man of the House, All This Belongs to Me, House Husband):

“…….Assign yourself a mental goal of BLANK pages to write every day, and don’t do anything else until you’ve reached that quota. Also, disable your browser while you’re working on this….for obvious reasons.”

Kristy Kiernan (Catching Genius, Matters of Faith and Between Friends coming April 6, 2010):

“George Pelecanos once told me: “Hey, don’t worry so much.” Sounds simple, but it’s not. It is, however, incredibly important to allowing creativity more room to work. If I could influence one beginning writer to set aside some of the agony and just write, I would feel I’d done them a tremendous service.”

Holly LeCraw (The Swimming Pool coming April 6, 2010):

“This is not advice per se, but my favorite quote from a writer, and one that has sustained me (because if he thought it, then maybe I am not such a screwup after all): “Writing a novel is like a one-armed man trying to build a chicken coop in a hurricane.”‘–William Faulkner”

Allison Winn Scotch (The Department of Lost and Found, Time of My Life and The One That I Want coming June 1, 2010):

“After my first manuscript failed to sell, a very kind editor friend, who had read the manuscript, called me up and said, ‘“Look, you have enormous potential, but you have to hone your craft.”’ We had a lengthy conversation, and the crux of it was that I wasn’t as good as I thought that I was. What I mean by that is that I think a lot of aspiring writers think that their first go out of the gate is genius, but there is an unlimited learning curve in our craft, and even now, on my fourth book, I learn new things each time I tackle a project. I took her advice to heart, went out and read a lot of authors whom I admired and hoped to emulate, and tried, tried again. There are two ways to take criticism: the first is to dig in your heels and refuse to believe it, and the second is to understand that it’s a great tool for improvement. Thank goodness I chose the latter.”

Therese Walsh (The Last Will of Moira Leahy):

“My blog partner, Kathleen Bolton, told me years ago, ‘“Commit to the work and then never waver. Your book will be so welcome in the world.”’ I took her advice! Another bit of advice I’ve taken: Read, at least occasionally, above your writing level.”

Announcements: The two winners of Kristy Kiernan’s Between Friends are Colleen and Sunny Bravin. Congratulations! Please send your mailing addresses to: diviningwand (at) gmail (dot) com, I’ll Pre-order your books. Many thanks to everyone who entered and may you Pre-order or purchase the book next week.

Today’s post presents the third and final additions in response to this question:

I wondered, what do your authors read in the way of writing books? Do they have favorites they refer to again and again? Do they read the classics like, Bird by Bird, or Writing Down the Bones, or do they favor books on craft like, Save the Cat?

Reading (and writing) minds want to know!

Shana Mahaffey (Sounds Like Crazy):

“The best investment I EVER made was Blockbuster Plots by Martha Alderson. The book is terrific, it is well written, full of examples and exercises. I also invested in getting my plots whispered out of me via consultation with Martha. You can’t go wrong with this book and/or her help.”

Emily Winslow (The Whole World coming May 25, 2010):

“I love Donald Maass’ books. He does a good job of inspiring without being too precise.

“I no longer read books on releasing one’s imagination and creativity. They’re invaluable when you need them, but I had enough “release your inner creativity” in acting school to last me a lifetime. (I’m also of a specific age and demographic that had touchy-feely public school. Remember trust falls? We used to do those in *gym class*.) I’m glad I learned it, but I don’t need to add to it any more.

“At this stage, I get most of my writing advice from industry blogs and discussion at Absolute Write and Backspace.”

Robert Gregory Browne (Kill Her Again, etc. and Down Among the Dead Men coming May 25, 2010):

“The only book you’ll ever need is TELLING LIES FOR FUN AND PROFIT by Lawrence Block.”

Danielle Younge-Ullman (Falling Under):

“I always come back to Steven King’s On Writing and there’s a book called The War of Art by Steven Pressfield that’s great. Both of these are particularly good for motivation, pushing through when you don’t feel like it. (And I guess I prefer writing books written by guys named Steven, lol.) For editing I like Self-Editing for Fiction Writers by Renni Browne and Dave King.”

Meredith Cole (Posed for Murder, Dead in the Water coming May 11, 2010):

“I enjoyed reading Bird by Bird and Stephen King’s book On Writing. I have a large collection of screenwriting books that I reread as well. Creating Unforgettable Characters by LInda Segar is worth a read, no matter what you’re writing.”

Alicia Bessette (Simply from Scratch coming August 5, 2010):

“The writing books I’ve found particularly helpful include Stephen King’s ON WRITING and YOUR FIRST NOVEL by Ann Rittenberg and Laura Whitcomb (the latter discusses both writing and publishing). And yes, I adore BIRD BY BIRD.”

Eve Brown-Waite (First Comes Love, Then Comes Malaria: How A Peace Corps Poster Boy Won My Heart and A Third World Adventure Changed My Life):

“My very favorite writing book has always been, Bird by Bird. Also, when I read what I consider a really, really well-crafted book, I re-read it, trying to see how the author did that. Amy Tan’s THE HUNDRED SECRET SENSES and Margaret Atwood’s THE HANDMAID’S TALE. fall into that category for me.”

Therese Walsh (The Last Will of Moira Leahy):

“I gravitate more toward craft books than inspirational ones, though I own both. My two favorites—the ones that will always be on my keeper shelf—are “Writing the Breakout Novel” by Donald Maass and “Save the Cat” by Blake Snyder, because they provide the tools for creating a standout novel.”

A major thank you to all our authors who contributed to this book list!

Our Authors’ Go-To Writing Books, I, Our Authors’ Go-To Writing Books, II

Although pre-empted by yesterday’s Olympic post, here is the continuation of our authors’ favorite love stories.

Katie Alender (Bad Girls Don’t Die YA):

“My favorite love story is ‘”Pride & Prejudice.”‘ Nobody can do it like Jane Austen! And one of the great things about loving that book is that there are umpteen movie versions to choose from when you need a girls’ day on the couch with some popcorn and a glass of wine! (The audiobook is also great for sewing along with.)”

Melanie Benjamin (Alice I Have Been):

“Pride and Prejudice; I just swoon over Elizabeth and Mr. Darcy. I think the very end of that novel is the most romantic ending ever.”

Eileen Cook (Unpredictable, What Would Emma Do? YA and Getting Revenge on Lauren Wood YA ):

“I think it was the summer I was 13, my mom gave me her copy of Gone With the Wind to read when I complained about being bored. I was completely swept up in that story. I still re-read it from time to time.”

Tish Cohen (Town House, Inside Out Girl, Little Black Lies YA, The Truth About Delilah Blue coming June 8, 2010):

“Favorite love story is still Anne Tyler’s Breathing Lessons — a day in the life of a very real couple. No heaving bosoms, no chiseled jaws. Just a scatty, interfering wife and a gruff, fed-up husband who bicker and sweat and even hate each other at times. This book is a testament to the kind of love that matters–love that endures.”

Jessica Barksdale Inclan (Being With Him, Intimate Beings, The Beautiful Being):

“While most of the love is thwarted in this story, the longing in The Mists of Avalon always bowls me over. Love that they reach and reach for and never get who or what they want–but they still love. This same longing and imagery in The English Patient, at the end.

“The love of a father for his daughters in Animal Dreams. So heartrending. So amazing.”

Lauren Baratz-Logsted (most recent Crazy Beautiful YA, Sisters 8 series with Book 5: Marcia’s Madness coming May 3, 2010):

“Love in the Time of Cholera, by Gabriel Garcia Marquez”

Shana Mahaffey (Sounds Like Crazy):

“I don’t remember the title, but I do remember the book quite well. It was one of those mass market bodice rippers where you have the eighteenth century Helen of Troy, whose somehow fallen on hard times and is enslaved to some purported evil, albeit devilishly handsome landowner with a the rakish cowboy who has nothing but is ready to whisk Mary off into the sunset on the back of his horse thrown in. I stole it off the pile of books next to my mother’s bed during the summer of my thirteenth year. What makes this book so memorable (forgotten title notwithstanding) is that it’s the first book I stayed up all night to finish. My cousins still talk about getting up around nine in the morning and finding me on the couch where they’d left me the night before, nose still buried in the book. Nothing against Judy Blume, but getting Forever after a Bodice Rippers is akin to my first opera experience: I saw the La Boheme dream team—Pavarotti and Freni—from row F center—nothing else will ever compare.”

Ivy Pochoda (The Art of Disappearing):

“God, who doesn’t love a juicy Jane Austen love story! They’re all fantastic.”

Kristina Riggle (Real Life & Liars):

“I feel like I bang on all the time about BREATHING LESSONS by Anne Tyler, but it is about love and is one of my favorite books. Not only did it influence me as a writer, but I think it was illuminating for me to read as a young woman, demonstrating that a married couple can bicker, chafe, get so infuriated they can barely look at each other, and still be fully in love.

“In order to vary my answer to these questions a bit, I adore THE GREAT GATSBY which I guess is not a love story in the “happy ending” sense, but it is a romantic story in the sense of romanticizing a person, and how dangerous that can be.

“In a more classic “love story” sense, I did very much enjoy DELICIOUS by Sherry Thomas! Yum.”

Therese Walsh (The Last Will of Moira Leahy):

“This is a tough question! Anyone who knows me knows my favorite novel is The Time Traveler’s Wife (Audrey Niffenegger), but I don’t know that I’d call it my favorite love story. Flowers from the Storm by Laura Kinsale might be my favorite. Kinsale is a masterful storyteller with great voice, and FftS offers unique but authentic characterizations, a riveting plot, and a pitch-perfect resolution. It’s a definite keeper.”

Emily Winslow (The Whole World coming May 25, 2010):

“My favorite couple is Sam Vimes and Lady Sybil in Terry Pratchett’s Discworld series, beginning with the book “Guards! Guards!” “She smiled at him. And then it arose and struck Vimes that, in her own special category, she was quite beautiful; this was the category of all the women, in his entire life, who had ever thought he was worth smiling at. She couldn’t do worse, but then, he couldn’t do better. So maybe it balanced out. She wasn’t getting any younger, but then, who was? And she had style and money and common-sense and self-assurance and all the things that he didn’t, and she had opened her heart, and if you let her she could engulf you; the woman was a city. And eventually, under siege, you did what Ankh-Morpork had always done–unbar the gates, let the conquerors in, and make them your own.”

If, as often described, the road to publication is a journey, then the writing process must be a well-known path for every author. Yes, it’s a creative path but one that’s also paved with guidelines, outlines, eventual deadlines and everything in between. Sound arduous? Some parts of this path just are, however what about those places where a writer can literally coast? Since these are different for everyone — and in keeping with this site’s theme for the week — our authors were asked: What do you love most about the writing process?

Katie Alender (Bad Girls Don’t Die YA):

“Like most writers, I have a totally bizarre relationship with the actual writing process–I love it enough to want to do it for a living, but I fear it and occasionally do everything in my power to avoid it! But I’ve recently discovered that what I really love is revising. I like taking something that almost works and making it clean and powerful.”

Joëlle Anthony (Restoring Harmony YA coming May 13, 2010):

“Revising – makes me an odd duck in the writing world, but I love editing and revision.”

Melanie Benjamin (Alice I Have Been):

“Losing myself in a different world, becoming different people. It’s really a very dreamy, sensual feeling.”

Meredith Cole (Posed for Murder, Dead in the Water coming May 11, 2010):

“I know people rave all the time about those moments when the story flows and you’re in some magical groove. The story seems almost to write itself. I love those moments, too, but I have to admit I have an overwhelming fondness for editing. I resist as long as I can, making myself get through the first draft before I get to revise. And then, when it’s time, I whip out a red pen and prepare to slash and burn, straighten and expand. It’s so wonderful to see something that’s a bit of a mess and know instantly how to fix it. Or even if it’s a challenge, getting it all polished is all the more satisfying.”

Jessica Barksdale Inclan (Being With Him, Intimate Beings, The Beautiful Being):

“My favorite part is the messy, early part where I am just writing and imagining and creating. It’s like mixing batter with too much flour, ideas and words everywhere. Later, of course, things have to calm down and recipe instructions must be followed. But before that! So much fun.”

Maria Garcia Kalb (101 Ways to Torture Your Husband):

“I am quite enamored with the “self-discovery” part of the writing process. You truly get to know yourself and there are many surprising things you learn along the way. I can say I never knew myself until I started writing. Its like meeting a stranger for the first time..but you’re not afraid to tell that stranger that they’ve got something in their teeth!”

Lauren Baratz-Logsted (most recent Crazy Beautiful YA, Sisters 8 series with Book 5: Marcia’s Madness coming May 3, 2010):

“The moment I’ve completed a first draft and I get that feeling of relief, knowing I’ve gone the distance and that the chance to improve it still lies ahead.”

Shana Mahaffey (Sounds Like Crazy):

“As a sufferer of a writer’s block more impenetrable than that Berlin Wall, when I become like Crush the Turtle surfing the tide of the Eastern Australian Current (Finding Nemo), I do want to stand up and yell, “Righteous! Righteous!” I feel possessed. I can’t type fast enough and propelled by my fear that I will lose the thread of whatever happens to be pouring out of me, I write as fast as I can, without judgment, not caring if the words are spelled right or if the sentences make sense; this is all stuff I can fix later. Experiencing this state is what I love most about the writing process. It doesn’t happen often, but I don’t mind because I know the frenzy that contains the best of me is like a cat—it comes and goes as it pleases. But like anyone who lives in thrall to a cat, I still show up and scale writer’s block wall, propelled by the hope that today will be the day.”

Ivy Pochoda (The Art of Disappearing):

“I love when I can hear a rhythm to my writing in my head as I type.”

Kristina Riggle (Real Life & Liars):

“It’s like playing Let’s Pretend! All my favorite games as a girl revolved around playacting and making up stories. I still get to do that, all the time.”

Therese Walsh (The Last Will of Moira Leahy):

“I love it best when my muse surprises me. I’m typing along, minding my own business, and then—wham. Who’s that character? Where did that line come from? The characters did what? These are the moments that make writing the most rewarding occupation in the world.”

Emily Winslow (The Whole World coming May 25, 2010):

“I love being ahead of deadline.”

To be continued…

Book Giveaway: The Divining Wand is giving away two signed copies of Judy Merrill Larsen’s debut novel, All the Numbers. Please leave a comment on this post by tonight at 7:00 p.m. EST to be entered into the random drawing. The winners will be announced in tomorrow’s post.

Although wisdom warns not to judge a book by its cover, both authors and readers would likely agree that a cover can make a favorable first impression. How much more of an impression, though?

To discover the truth our authors were asked, what book have you bought based on the lure of its cover? And then, many readers assume the author chooses a book’s cover and — while not exactly true — how much input have you had over your cover(s)?

The following novelists replied:

Katie Alender (Bad Girls Don’t Die YA):

“Interesting question. It’s so easy to find out more about books now that I think it’s very rare to purchase a book just based on the cover. I was drawn to a book called “Turtle Feet” (by Nikolai Grozni) by its cover, but I bought it because of the jacketflap copy. Books whose covers I love actually include a lot of my fellow Debutantes’ books–Mia King’s “Good Things” is one of my favorites, as is Eve Brown-Waite’s “First Comes Love, Then Comes Malaria” and Tiffany Baker’s “Little Giant of Aberdeen County.”

”I didn’t have any input into my cover, except to see it and fall in love immediately.”

Eileen Cook (Unpredictable, What Would Emma Do? YA and Getting Revenge on Lauren Wood YA ):

“I know I’ve bought quite a few books based on the cover. Two that stick out, in part because they’re so different was Something Borrowed by Emily Giffin and Hotel on the Corner of Bitter and Sweet by Jamie Ford.

“With my YA publisher, Simon Pulse, I’ve been fortunate to be included in the cover art planning and designs. It is a huge stress reliever to know what to expect. When I saw the cover of Getting Revenge on Lauren Wood I wanted to kiss the designer Cara.”

Holly LeCraw (The Swimming Pool coming April 6, 2010):

“I can’t remember the last time I bought a book based on its cover. Usually I pick up books based on the authors. But I’m sure covers have more influence on me than I know–maybe bad covers (leading me to NOT pick up a book) more than good.

“I did not have a lot of input on my cover design, although my editor kept me in the loop along the way. She did ask me at the very beginning of the design process if there was anything in particular I really hated, which I thought was nice. (I said covers that were busy and flowery.) We had one cover that was lovely but was eventually killed because it was too “quiet”…then went to this image, but with entirely different type treatment. I really didn’t like it, but then they changed the type placement and design,which made a world of difference–and now I think it is fabulous.”

Kristina Riggle (Real Life & Liars):

“I don’t buy books based on their covers, but a cover can make me grab a book off the pile, or draw my eye when posted on a blog, for example. One of my favorite covers was for Joshua Ferris’s THEN WE CAME TO THE END which showed the title rendered in red Sharpie marker on yellow sticky notes. For an office novel, this was perfect. I also adored the cover for Tiffany Baker’s LITTLE GIANT OF ABERDEEN COUNTY.

“I loved my cover for Real Life & Liars unreservedly, the first time I saw it. And though I’m not totally in charge of my cover for The Life You’ve Imagined, I am, right now, in discussions with my publisher about various designs. They are taking my input very seriously, and for that I’m so grateful (and all the choices are gorgeous. I can’t wait to share it when I can!)”

Therese Walsh (The Last Will of Moira Leahy):

“Two books come to mind: Mr. Thundermug by Cornelius Medvei and Thirteen Moons by Charles Frazier.

“I was asked for input on my cover—to provide ideas relating to themes, provide jpgs, anything I thought might help the cover artist. Looking back, about 95% of the pictures I provided related in some way to a woman in water. So when I saw the final cover, I was thrilled with it.”

Announcement: The winner of Kristy Kiernan’s two novels — Catching Genius and Matters of Faith — is Keetha. Congratulations! Please email: diviningwand (at) gmail (dot) com with your mailing address and your books will be sent as quickly as possible. And, as always, thank you to all who commented.

Next week all the posts’ topics will be about love…of some type. Be sure to visit.