The Divining Wand

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Kristina McMorris and Letters from Home

February 21, 2011 By: larramiefg Category: Book Presentations, Books


From the age of nine, Kristina McMorris has been a successful actress, TV show host, entrepreneur, and public relations expert but tomorrow she embraces the role of debut novelist with the launch of her historical fiction, WWII saga, Letters From Home.

Inspired by the discovery of her grandfather’s courtship letters to Grandma Jean during WWII (see Tales of the Past), Kristina soon began to ask “what if?” the couple’s relationship through their correspondence had been based on deceit. And, simply put, that is the backstory for the novel which honors the author’s grandparents as well as all the other brave, unsung heroes of the Greatest Generation.

Here is the synopsis of Letters from Home:

Chicago, 1944. Liz Stephens has little interest in attending a USO club dance with her friends Betty and Julia. She doesn’t need a flirtation with a lonely serviceman when she’s set to marry her childhood sweetheart. Yet something happens the moment Liz glimpses Morgan McClain. They share only a brief conversation – cut short by the soldier’s evident interest in Betty – but Liz can’t forget him. Thus, when Betty asks her to ghostwrite a letter to Morgan, stationed overseas, Liz reluctantly agrees.

Thousands of miles away, Morgan struggles to adjust to the brutality of war. His letters from “Betty” are a comfort, their soul-baring correspondence a revelation to them both. While Liz is torn by her feelings for a man who doesn’t know her true identity, Betty and Julia each become immersed in their own romantic entanglements. And as the war draws to a close, all three will face heart-wrenching choices, painful losses, and the bittersweet joy of new beginnings.

Now watch and listen to Kristina explain and describe her storyline:

In addition to providing an Excerpt from Letters from Home Chapter One, the author also shares a few of her grandfather’s original letters in Mail Call.

The Raves & Reviews have been wonderful and include:

“Ambitious and compelling…[a] sweeping debut.”__Publishers Weekly

Yet the true testament to this book’s advance success can be viewed by its growing sales of global rights, book club rights sold to Doubleday and Reader’s Digest, film rights being shopped by the prestigious Creative Artists Agency of Los Angeles, and the book’s spotlight in the current issue of Woman’s Day magazine.

What is it about this novel that offers a universal appeal? Perhaps the love story depicted through intimate correspondence, the human triumphs and tragedies of a war fought to end all wars, a connection to what most of our grandparents lived through, the consequences of deceit, and the stirrings of women’s independence on the homefront and even close to the frontlines.

Of course more than likely it’s a combination of all these storyline elements bound together by the author’s distinctive and elegant writing style. The word “lovely” has been used often to describe Letters from Home and Kristina’s choice of words/phrasing are quite lovely. Her style lends itself, in its measured tones, to the characters’ voices, emotions, and behavior. After all much more privacy prevailed then than it does now in casual, contemporary times. Also the mere fact that this debut novelist is paying homage to a generation, being lost to attrition and barely mentioned in public school history classes, is a love letter of its own.

Admitting she previously had not been an avid fiction reader, The Divining Wand asked the author how she became a fiction writer? And she explained:

“I’ve learned the most from simply writing and revising. Fellow authors were kind enough to offer critiques, as well as many contest judges. And, of course, I discovered the magic of reading. I also applied a great deal of what I learned from years of acting, including character arcs, scene elements, and plot points. When it comes to developing goals, motivation, and conflict, there is very little difference between a scene on stage and one in a book.”

Interesting how two creative processes are similar, isn’t it? And why it’s not surprising to discover that, since Kristina initially envisioned the story as a movie, the storyline played out in her head and she wrote from there. In fact she details the experience:

“The story came to me like a movie while I was walking on the treadmill one day. Once I hopped off, I jotted down an outline, describing the scenes/chapters in a sentence or two, from beginning to end. Additional story lines for the secondary characters, namely Julia and Betty, evolved in later drafts, but the final scene I first envisioned–even one of the last dialogue lines–remains the same in the finished book.”

While loss of innocence is a major theme of the novel, so too are sacrifice, the search for inner strength, and the journey toward a woman’s ability to make her own choices. The reality of war causes the novel to have less than an “happily ever after” ending for all the characters, however these characters do share the book’s message — appearances can be deceiving. And, from the first page to the last, the reader discovers that every character is not who they first seemed to be.

Of course, as has been noted, this is also a tribute to all the men and women of the World War II generation, and — on a personal level — Kristina’s Grandma Jean. The Divining Wand asked the author if she had achieved “favorite grandchild” status for writing the book and Kristina said:

“Grandma Jean is definitely tickled, but I admit, she tends to be very even keeled about anything you toss her way. She did, after all, survive the rigors of a childhood on the farm, the Great Depression, and a world war. That said, she’s one of the sweetest, strongest, most loving, and most gracious women I’ve ever known. I absolutely adore her, and am honored to call her my grandmother. So I’m especially excited that she’ll be attending my official book launch event at Barnes & Noble to meet attendees and even sign some copies.” 🙂

How lovely! And how generous is the fact that a portion of sales proceeds will benefit United Through Reading®, a nonprofit organization that video records deployed U.S. military personnel reading bedtime stories for their children.

Letters From Home will be available in bookstores and through online retailers tomorrow. A multi-generational read, it’s a remembrance of gratitude owed to the past — a most lovely, entertaining reminder.

* * * * *

[For the third consecutive week in a row Eleanor Brown (The Weird Sisters) and Caroline Leavtitt (Pictures of You) are on The New York Times Bestseller List. To meet these authors when they hit the road again in early March and throughout the spring, please check Eleanor’s Events and Caroline’s Appearances (scroll down the page). ]

Book Giveaway: The Divining Wand is giving away two copies of Kristina McMorris’s Letters from Home in a random drawing of comments left only on this specific post, . Comments left on other posts during the week will not be eligible. The deadline is Wednesday, February 23, 2011 at 7:00 p.m. EST with the winners to be announced here in Thursday’s post. If you enter, please return Thursday to see if you’re a winner.

Tanya Egan Gibson and
How to Buy a Love of Reading

September 07, 2010 By: larramiefg Category: Book Presentations, Books


When Tanya Egan Gibson was a high school English teacher, one of her students admitted that she had never read any book she liked. Instead the student spent her time daydreaming about her friends and their experiences shared during the day, imagining what might have been done differently. Although this was creative, Tanya loved books too much not to accept a challenge and vowed one day to write a book the girl would like. And, after ten years. that vow/idea became How to Buy a Love of Reading.

Debuting in May, 2009 and released in trade paperback on July 27, 2010, How to Buy a Love of Reading is beyond multi-layered. In addition to its meta-fiction format, fully drawn, flawed characters, Gatsby-esque setting, society, and quotes, mention of numerous literary works, there’s more. However the novel isn’t complicated, certainly the author’s description is reassuring proof:

“My characters live in the fictional town of Fox Glen, Long Island, where appearances are everything, money is plentiful, and life is forever disappointing. Most of the characters have given up on their real, private selves and have come to believe in their public selves– images they once-upon-a-time constructed to protect their egos, and in which now they find themselves imprisoned.”

Indeed How to Buy a Love of Reading is primarily based on past behavior that now affects the characters’ present. Here is the synopsis:

To Carley Wells, words are the enemy: the countless SAT lists from her tutor, the “fifty-seven pounds overweight” assessment from her personal trainer, and most of all, the “confidential” Getting To Know You assignment from her insane English teacher (whose literary terminology lessons include “Backstory is Afterbirth” and “Setting is Nobody’s Slut”). When he tells her parents that she’s answered “What is your favorite book?” with “Never met one I liked,” they become determined to fix what he calls her “intellectual impoverishment.” They will commission a book to be written for Carley that she’ll have to love—one that will impress her teacher and the whole town of Fox Glen with their family’s devotion to the arts. They will be patrons—the Medicis of Long Island. They will buy their daughter The Love Of Reading.



Impossible though it is for Carley to imagine ever loving words, she is in love with a young bibliophile who cares about them more than anything. Anything, that is, but a good bottle of scotch. Hunter Cay, Carley’s best friend and Fox Glen’s resident golden boy, is becoming a stranger to her as he drowns himself in F. Scott Fitzgerald, booze, and Vicodin.



When the Wellses move writer Bree McEnroy—author of a failed meta-novel about Odysseus’s voyages through the Internet—into their mansion to write Carley’s book, Carley’s sole interest in the project is its potential to distract Hunter from drinking and give them something to share. Instead, as Hunter’s behavior becomes erratic and dangerous, she finds herself drawn into the fictional world Bree has created and begins to understand for the first time the power of stories—those we read, those we want to believe in, and most of all, those we tell ourselves about ourselves. Stories powerful enough to destroy a person.



Or save her.

While there is an Excerpt to the novel’s first pages, it’s up to you to discover it by visiting the website. Simply turn the light on, then browse the bookcase as well as that book being read in bed. According to Tanya, the website is filled with treasures for good reason:

“Much of the material on my website–photographs, a character’s journal, excerpts of fictional “‘books'” that are mentioned in my novel–does not appear in the book and is intended as an extension of the book, a way to keep the “‘world'” of Fox Glen alive.”

It’s also a way to pay to tribute to Carley by keeping her insight into reading alive. For her indifference to books comes from their characters. She wants them to be genuinely human, rather than figure fixtures telling a story. Carley needs to identify and care about people in a book since it’s her way of understanding herself and others. Yes it’s the “unknowable” that Tanya described in her guest post, and the “gap” that 16-year old Carley feels is too wide.

Described as “razor-sharp, funny, and poignant,” How to Buy a Love of Reading is a satire of how the rich are different or appear to be as they hide their true selves from themselves and each other. And then there’s overweight, “intellectually impoverished” Carley who is seeking much more. Although she wants to love books to understand THE boy better — for Carley even knows as in life, so in books, “there’s always a boy” –, this adolescent also wants to know and love herself.

Tanya Egan Gibson had high hopes that her debut would be “literary,” yet her attempts to write towards that goal removed emotion from the story. So she stopped trying and simply told the story of “an overweight teenage girl’s love for her unattainable best male friend.” It’s not complicated yet it is truth. Because, through the multi layers of the book and the book-within-a-book, the voice of Carley remains basic. She’s a girl who leads with her heart, a heart strong enough to set an example for all the bewildering souls around her.

And that’s the author’s gift to readers in How to Buy a Love of Reading. This present is a character/person who allows us to bring our own hearts to the pages with the desire to know and understand each other better. Could there be a more valuable reading experience for your “must read” list?

Book Giveaway: The Divining Wand is giving away two copies of Tanya Egan Gibson’s How to Buy a Love of Reading in a random drawing of comments left only on this specific post. Comments left on other posts during the week will not be eligible. The deadline is Wednesday, September 8, 2010 at 7:00 p.m. EDT with the winners to be announced here in Thursday’s post. If you enter, please return Thursday to see if you’re a winner.