The Divining Wand

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Leah Stewart and Husband and Wife

September 13, 2010 By: larramiefg Category: Book Presentations, Books


As both a writer and a reader Leah Stewart (The Myth of You and Me, Body of a Girl) requires that a book offers engagement on an emotional level and, in her third novel — Husband and Wife, released in May — she provides cause for such a response.

The fact that this story is based on detailed, personal emotions undoubtedly led to the interview question, “…is your work autobiographical?” in LEAH LETS LOOSE on SHEKNOWS Entertainment. There the author answered:

“I’m a believer in writing from emotional truth but not necessarily literal truth. In other words I have to put my characters in situations where I’ll understand what they feel, and to do that I mix elements of my own life with details from other people’s lives and add a healthy dose of stuff I made up.”

Leah began writing Husband and Wife when her daughter was three and her son was seven months old. Motherhood, and how it affects your self, and your marriage were the subjects on her mind yet the daily mothering routine isn’t very interesting without a conflict. That’s when she chose infidelity to throw her husband and wife characters into crisis mode. According to the author’s belief, “Nothing causes you to examine a bond like a betrayal of it.”

And, though infidelity/adultery may be one of the oldest stories, this novel takes a more contemporary, insightful look at it by asking how people change when they become adults, mates and eventually parents. Here is the synopsis:

Sarah Price is thirty-five years old. She doesn’t feel as though she’s getting older, but there are some noticeable changes: a hangover after two beers, the stray gray hair, and, most of all, she’s called “Mom” by two small children. Always responsible, Sarah traded her MFA for a steady job, which allows her husband, Nathan, to write fiction. But Sarah is happy and she believes Nathan is too, until a truth is revealed: Nathan’s upcoming novel, Infidelity, is based in fact.

Suddenly Sarah’s world is turned upside down. Adding to her confusion, Nathan abdicates responsibility for the fate of their relationship and of his novel’s publication—a financial lifesaver they have been depending upon—leaving both in Sarah’s hands. Reeling from his betrayal, she is plagued by dark questions. How well does she really know Nathan? And, more important, how well does she know herself?

For answers, Sarah looks back to her artistic twenty-something self to try to understand what happened to her dreams. When did it all seem to change? Pushed from her complacent plateau, Sarah begins to act—for the first time not so responsibly—on all the things she has let go of for so long: her blank computer screen; her best friend, Helen; the volumes of Proust on her bookshelf. And then there is that e-mail in her inbox: a note from Rajiv, a beautiful man from her past who once tempted her to stray. The struggle to find which version of herself is the essential one—artist, wife, or mother—takes Sarah hundreds of miles away from her marriage on a surprising journey.

Wise, funny, and sharply drawn, Leah Stewart’s Husband and Wife probes our deepest relationships, the promises we make and break, and the consequences they hold for our lives, revealing that it’s never too late to step back and start over.

Thanks to HarperCollins Chapters 1 – 4 are available for reading from the Browse Inside site. By taking advantage of this reading opportunity, you’ll discover that the author wastes no time in presenting the crisis. On page 6 Nathan implies his transgression and, on the following page, he tells Sarah: “I cheated on you.” There’s no hedging, he was unfaithful and so begins the story of “what now?” rather than “what if?” for husband and wife.

However, despite the “couple” title, the book is Sarah’s story of her journey to stay in the marriage or go off on her own. Not only does Leah Stewart explore the devastating effects of marital betrayal, she also focuses on the modern woman, complete with career, who has not been raised to believe in preserving a marriage at all costs. On the other hand, there is more than being financially capable of letting go. There are the perceptions of how others will regard/judge her ultimate choice.

As a result of the crisis in her marriage comes a crisis of self. Interestingly enough this isn’t based on Sarah’s physical attractiveness (though there’s mention of a need to shed more pounds of baby fat), but the real concern focuses on her artistic, intellectual attractiveness. Her identity as a poet and Nathan, the aspiring novelist, brought them together in grad school where — in truth — dreams feel as though they’re out there waiting. Except, of course, not everyone grabs the brass ring of success. After being together for ten years, and married for the last four, Nathan’s success and Sarah’s role of working mother has shifted the dynamics of their relationship. Is Sarah aware of how much they’ve changed? Is she consciously jealous of Nathan? Does she still care enough about artistic dreams to seek time to work for them?

The irony of this literary husband and wife is their failure at communicating with each other. Or does being writers limit them to expressing themselves only on paper? Even Nathan’s admission of guilt has Sarah refusing to talk to her husband, instead telling him to leave without any thought of how to live/cope without him. Impulsive, eyebrow-raising action given there are young children to care for. And while the overwhelming pain of lost trust — perhaps even lost love — is understood, irresponsibility is not.

Leah Stewart writes an all-to-honest portrait of a couple who, despite having a family, easily grow apart. Her characters are flawed, selfish and not always likable, yet are they merely victims of a modern society that encourages whims of personal gratification? Can their marriage and family be saved?

In Husband and Wife, the future lies in the wife’s hands. After all she has come-of-age as an adult and must now face the responsibility of her ever-changing roles, including “To have and to hold, for better – for worse….”

Book Giveaway: The Divining Wand is giving away a copy of Leah Stewart’s Husband and Wife in a random drawing of comments left only on this specific post. Comments left on other posts during the week will not be eligible. The deadline is Wednesday, September 15, 2010 at 7:00 p.m. EDT with the winner to be announced here in Thursday’s post. If you enter, please return Thursday to see if you’re a winner.

Guest Leah Stewart on Why Do You Read?

September 08, 2010 By: larramiefg Category: Guest Posts

[In her role as a teacher Leah Stewart (Husband and Wife, The Myth of You and Me, Body of a Girl) emphasizes and discusses the craft of a novel, while as a reader (and writer) she is drawn to the emotional impact of a book. So here, in today's guest post, she wonders why or what is most important in reading?]

One of my graduate students emailed me a few weeks ago to say he’d heard me mention Margot Livesey’s novel Eva Moves the Furniture so often in class he thought he should read it. Why, he wanted to know, did I so often use it as an example? Was it because of the way Livesey handles the magical element of the novel, keeping the question of what’s real a mystery until the end?

The answer that immediately came to mind was: it’s because I love it. But that wasn’t what he was looking for. He wanted me to say something about the craft of the book, the way Livesey structures her story. As a teacher I emphasize the use of models, telling students to seek out the books that resemble the ones they want to write and figure out how they work. It struck me as funny, then, that I had to think so hard to give him that kind of answer. When I read that book, it had such a profound emotional effect on me that that response overrode my usual thinking about a novel—how it’s put together, what the writing style is like, what points it might be making about our culture and the world.

Not long after this exchange a writer friend mentioned to me that a book should have more than emotional impact. I’ve been thinking about this comment ever since. For him, I have no doubt that this is true. For me, I’m not so sure it is. I can appreciate a novel that deliberately examines intellectual questions, but if it doesn’t engage me emotionally I’m left disappointed. What I want from stories is primal: I want to be transported, caught up, unable to stop reading even if it’s past midnight and I know my children will be up early. What I’m reading might be Harry Potter or the odd, language-driven stories of Barry Hannah—as long as it makes me feel profoundly, I’m in love.

It’s probably no surprise, then, that in my own work I do my best to create an intense emotional response in the reader. But in some ways that’s been a surprise to me. After all, I went to graduate school for writing. I spend much of my time in academia, where we encourage students to discuss what stories mean rather than what they make you feel. I hear all the time from readers that they were moved by one of my books, that they couldn’t put it down, and I love hearing that I’ve achieved that kind of effect. But the good-student part of me still wants to be told I’m smart. Recently another grad student praised a reading I’d given by saying she could hear my intelligence in it. She added, “In your novels, your intelligence is obscured by the narrative.” She didn’t mean to be insulting, and the comment amused rather than upset me, but it did offer a window on a particular perception of fiction writing, one that suggests emotion and story are not intelligent. I feel like it’s my job to remind both myself and my students that they are—that, in fact, they’re vital. Two of the many sad things about the literary/genre divide in book culture are the way it keeps readers from books they might love on either side, and the way it makes writers who want to be considered artists devalue the pleasures of plot. No matter what we’ve learned in school about how we’re supposed to read, some of our most profound reading experiences came when we were uncritical children, staying up with a flashlight under the covers to finish A Wrinkle in Time.

I wrote back to my student that he was right: I recommend the book because of my admiration for Livesey’s handling of mystery, as well as the way she finds a tone that’s both matter of fact and mystical, and achieves what she herself calls “a certain intensity about the ordinary.” And also, I said, because I love it.

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Book Giveaway: The Divining Wand is giving away two copies of Tanya Egan Gibson’s How to Buy a Love of Reading in a random drawing of comments left only on this specific post, Tanya Egan Gibson and How to Buy a Love of Reading. Comments left on other posts during the week will not be eligible. The deadline is tonight at 7:00 p.m. EDT with the winners to be announced here in tomorrow’s post. If you enter, please return tomorrow to see if you’re a winner.

The Revealing of Leah Stewart

September 01, 2010 By: larramiefg Category: Profiles, Q&A

The dream goal of most authors is being able to describe their book in one sentence — a sentence that piques interest — and Leah Stewart (The Myth of You and Me, Body of a Girl) has been able to do that with her third novel, Husband and Wife,:

A young mother discovers that her husband’s novel about infidelity might be drawn from real life.

And from this, along with a bit more, come glowing reviews:

“Stewart (The Myth of You and Me) creates a crisis of faith where adult reality collides with youthful dreams, “the people we were and the people…we always thought we should be.” The writing is tactile, elemental, even comical, providing readers with a situation that could so easily be their own. Highly recommended.” —Bette-Lee Fox, Library Journal *Starred Review*

“An unflinching look at what happens when one’s identity is shattered, and “what-ifs” and past choices come back to haunt the present. . . . . Stewart’s graceful prose and easy storytelling pull the reader into caring about what happens to the struggling heroine while exploring the many gray areas of life and marriage.” —Publisher’s Weekly

The Divining Wand has scheduled a presentation/review of Husband and Wife for Monday, September 13, 2010. In the meantime, though, let’s meet the author through her “official” bio:

The recipient of a 2010 NEA Literature Fellowship, Leah teaches in the University of Cincinnati’s creative writing program, and lives in Cincinnati with her husband and two children.

And now here’s Leah upclose and personal:

Q: How would you describe your life in 8 words?
A: Kids, teaching, music, reading, writing, TV, eating, sleep.

Q: What is your motto or maxim?
A: Everything I think of is stupid, so I don’t want to say it. Maybe that’s my motto: Don’t say stupid things.

Q: How would you describe perfect happiness?
A: Enjoying whatever you’re doing at the moment, with no thoughts of your to-do list.

Q: What’s your greatest fear?
A: Losing one of my kids.

Q: If you could be anywhere in the world right now, where would you choose to be?
A: Without my kids: the cottage on Kauai where my husband and I honeymooned. With my kids: Disneyworld.

Q: With whom in history do you most identify?
A: I’ve always been partial to women who defied whatever the gender norms of the time were. Women who went to war, suffragettes, Jane Austen and George Eliot, Hilary Clinton. I remember really admiring Abigail Adams, way back in elementary school when I read her biography.

Q: Which living person do you most admire?
A: There are so many writers who fit the bill I don’t think I can pick just one. In music: Neko Case. In TV: Joss Whedon.

Q: What are your most overused words or phrases?
A: In speech: “Does that make sense?” In writing: it.

Q: If you could acquire any talent, what would it be?
A: Singing well. The tragedy of my life is my inability to sing.

Q: What is your greatest achievement?
A: Managing to finish a novel three times.

Q: What’s your greatest flaw?
A: Bossiness.

Q: What’s your best quality?
A: Well, I think I’m a pretty good writer.

Q: What do you regret most?
A: All the time I wasted before I had kids.

Q: If you could be any person or thing, who or what would it be?
A: If I can’t think of an answer, does that mean I’m way too pleased with myself?

Q: What trait is most noticeable about you?
A: I talk a lot.

Q: Who is your favorite fictional hero?
A: Maybe my most noticeable trait is that I don’t like to give just one answer: Elizabeth Bennett, Dorothea Brooke, Meg Murry, Buffy, Starbuck (the second one), Veronica Mars. I could probably go on.

Q: Who is your favorite fictional villain?
A: So many of the books I read don’t have straight-up villains, I’m thinking of TV again. I’ll go with Angel from BTVS, when he turned evil.

Q: If you could meet any athlete, who would it be and what would you say to him or her?
A: Neither my husband nor my mother can understand this, but I have an almost complete lack of interest in sports. I did watch the Olympics. I could meet Evan Lysacek and say, “Hey, good skating.”

Q: What is your biggest pet peeve?
A: Can I list three? Late or sloppy student work, everyone in my family yelling at me at once, use of the word “I” where it should be “me.”

Q: What is your favorite occupation, when you’re not writing?
A: When I’m not making up my own world, I’d just as soon be lost in someone else’s, so reading, watching TV, and going to movies. I’ve also become addicted to a dance class called Rhythm & Motion at the Cincinnati Ballet.

Q: What’s your fantasy profession?
A: Singer!

Q: What 3 personal qualities are most important to you?
A: Humor, intelligence both intellectual and emotional, reliability.

Q: If you could eat only one thing for the rest of your days, what would it be?
A: Chocolate (so predictable!)

Q: What are your 5 favorite songs?
A: At this moment:
“Skinny Love” by Bon Iver
“Swim Until You Can’t See Land” by Frightened Rabbit
“Don’t Forget Me” by Neko Case
“Marry Song” by Band of Horses
“L.E.S. Artistes” by Santogold

Q: What are your 5 favorite books of all time?
A: Pride and Prejudice, by Jane Austen
Middlemarch, by George Eliot
Jesus’ Son, by Denis Johnson
Eva Moves the Furniture, by Margot Livesey
The Great Gatsby, by F. Scott Fitzgerald

To keep up with talented Leah Stewart, please follow her on Twitter and become a friend on Facebook.

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Book Giveaway: The Divining Wand is giving away two copies of Katharine Davis’s A Slender Thread in a random drawing of comments left only on this specific post, Katharine Davis and A Slender Thread. Comments left on other posts during the week will not be eligible. The deadline is tonight at 7:00 p.m. EDT with the winners to be announced here in tomorrow’s post. If you enter, please return tomorrow to see if you’re a winner.